One String Flying Triplets

October 10, 2009
One String Flying Triplets


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Playing this lick always makes me smile. It's an insane way to utilize position shifting to create a one string sequence that looks and sounds this frantic. But it's also an incredible left hand exercise (If you're a right handed person) Think about it: In order to play any 3 notes per string scale pattern from string to string, you have to change fingering to match the notes on each of the six strings you play. You do the same thing here, but on one string only.

The only extra challenge you will have to deal with is moving your hand up and down the fretboard horizontally, instead of vertically. I hope that makes sense. The point is this: This lick might seem weird and even impossible to play at first, but give it an extra shot and you'll notice that it really isn't that difficult simply because your fingers are quite used to the task. Your left hand will have to fly across the fretboard so make sure you have a very light touch on the back of the neck.


Picking 3 note triplets in this particular sequence and at this speed, can only be done on a guitar in this way. So that's a good reason to develop this technique - and, as I said, It's a lot of fun.





"Energy and persistence conquer all things"

Benjamin Franklin

 

The Reversed Malmsteen Sequence

October 4, 2009
The Reversed Malmsteen Sequence



I've decided to create a category with nothing but licks in it. This allows me to offer you some value even when I haven't got much time on my hands. This is a sequence I came up with by reversing a well known Yngwie lick. I haven't included the original lick in this video but if you wonder what it is just reverse today's sequence. It feels extremely awkward to play these notes in the beginning. It's almost like there's something wrong with the lick! But be pers...
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Confusing Names and Symbols

September 24, 2009
Confusing Names And Symbols


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Let's keep the riff raff out

So we know what to call the white keys on the piano. But what about the black ones in between? Well they actually have two names depending on where you're coming from. "There's no reason to keep it simple" the monks said "The more complicated we make it, the easier it is for us to keep the riff raff out." Let's humor these guys from the past and see what they came up with.


The note in between the C and the D is ...
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The Fast Practical Approach To Theory

September 16, 2009
The Fast Practical Approach To Theory


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Cut the crap and give me a practical approach


When I decided to get serious about my guitar playing I also decided to become an expert on music theory. And so should you. Because music theory is a nothing less than a basic understanding of the mechanics of music. This understanding will help you immensely when you improvise, when you compose or when you want to learn any chord progression or solo simply by listening to it. When y...
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Tone Changers & Trem Tricks

September 8, 2009
Tone Changers & Trem Tricks


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Today I'm going to show you three techniques that you can use to bring some variety into the sounds you produce when you play. Use them all the time until they become a part of you. When this happens you'll find yourself using these techniques intuitively, without thinking about it.

Squealers

The first technique is also one of the most used in the "business". Most people call them "pinch harmonics" and they are really very easy to do with  ...
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Power Blues Phrasiology - Bending

September 2, 2009
Power Blues Phrasiology - Bending


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A keyboard with strings instead of keys

In this article and the next to come, I'll be touching on something essential to blues rock soloing: Phrasing. When I started out, I looked upon the guitar as sort of a keyboard with strings instead of keys. You fretted the note and picked the string and that was that. This attitude also made me focus on cool effects and gimmicks first and on pickups and amp second, but that's another story.

Th...

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