Posted by Pure Speed on Sunday, October 25, 2009,
In :
Amazing Licks
Diminished String Skipping Legato Lick
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The main challenge of this Paul Gilbert inspired string skipping lick, is to get the string skipping right. But the secret to getting it right is to make sure that you are using "outside" picking when you do it. When you move from the G to the high E-string you start with a down stroke and end with an upstroke. This will make it very easy not to hit the B-string in between the two. When you go from the high E-string to the G-string ... Continue reading ...
Posted by Pure Speed on Sunday, October 18, 2009,
In :
Amazing Licks
The Reversed Malmsteen Variation
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In this lick, I use position shifting and a lick from one of the previous articles, to create a third lick. Combining licks in this way is a great way to develop the ability to improvise at very high levels of speed. The more you can combine what you know, the more choices you have.
As an exercise, try to come up with at least one new way of using these ideas used in today's lick. See if you can play the whole thing backwards. Play the... Continue reading ...
Posted by Pure Speed on Tuesday, September 8, 2009,
In :
Power Blues 101
Tone Changers & Trem Tricks
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Today I'm going to show you three techniques that you can use to bring some variety into the sounds you produce when you play. Use them all the time until they become a part of you. When this happens you'll find yourself using these techniques intuitively, without thinking about it.
Squealers
The first technique is also one of the most used in the "business". Most people call them "pinch harmonics" and they are really very easy to do with ... Continue reading ...
Posted by Pure Speed on Wednesday, September 2, 2009,
In :
Power Blues 101
Power Blues Phrasiology - Bending
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A keyboard with strings instead of keys
In this article and the next to come, I'll be touching on something essential to blues rock soloing: Phrasing. When I started out, I looked upon the guitar as sort of a keyboard with strings instead of keys. You fretted the note and picked the string and that was that. This attitude also made me focus on cool effects and gimmicks first and on pickups and amp second, but that's another story.
Posted by Pure Speed on Saturday, August 29, 2009,
In :
Power Blues 101
The Wicked Brothers of Doom
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Using the Harmonic minor to produce the blues sound
Yes, I’m not kidding. Today I’m going to show you how you can use the Harmonic Minor scale to produce some cool blues rock lines. The sound of any scale is deeply influenced by what chords you play with it. This is why your regular C-Major scale has a mode for every note in the scale. The “mode” is really an expression of the sound you get when you play this scale with th... Continue reading ...
Posted by Pure Speed on Saturday, August 15, 2009,
In :
Power Blues 101
3 notes per string blues freedom
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The best of Paul Gilbert
Did you try out Paul Gilbert 3-notes-per-string Blues scale patterns? Then perhaps you’ve also found them difficult to use when playing solos. The 3 notes per string blues scale patterns involves weird stretches and unusual fingerings but it's well worth the effort mastering them. These patterns allow you to use all the sequences and licks that you know from the Major / Minor realm, because you have the same... Continue reading ...
Posted by The Wizzard on Wednesday, August 12, 2009,
In :
Power Blues 101
The Diminished Blues Sound
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My favorite blues phrasing tool
This is one of my absolute favorites when it comes to blues scale expansion ideas. The concept I'm going to discuss today will make your regular old blues scale sound like a screamin’ demon. I’m talking about the diminished triad which fits very nicely within the blues scale as you can see in the illustration below. Again this is your number one E-blues scales shape with a E-Diminished triad on top of it.... Continue reading ...
Posted by Pure Speed on Friday, August 7, 2009,
In :
Power Blues 101
Sweep Picking Power Blues
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Dramatic Arpeggios
The blues rock context embodies a whole range of different sounds. You can put almost any scale, arpeggio or lick in there and if you do it right it’ll sound really cool. Today let’s stick an E-minor triad in there and hear how it sounds. I’m going to take a sweep picking approach to this idea. But you can use the notes of the E-Minor triad to produce a lot of interesting sounding slow licks as well. If you’ve been... Continue reading ...
Posted by Pure Speed on Saturday, August 1, 2009,
In :
Power Blues 101
The one minute major third expansion
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Using every available note on the fretboard
I hope you had fun with the idea and the licks in my last article. Today I’m going to expand a bit on that same simple idea. But before I go on I would like to make this clear: You can use all available notes on the entire fretboard to play over any Blues Rock chord progression, and when you come to the end of these articles, you will! So the point of these article is not to show you...
Posted by Pure Speed on Thursday, July 30, 2009,
In :
Power Blues 101
How to expand the pentatonic scale in two minutes
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More freedom and choices
I’ve been looking forward to writing this series about how to master the blues rock sound in all it’s different manifestations. This is by far the most used sound in all of rock music so mastering it is crucial. But most people often feel a bit limited by the measly five or six notes that you have at your disposal in the traditional pentatonic blues scale. I use to feel that way for sur...
This article contains one very important distinction when it comes to soloing. It’s applicable to any style of music and any instrument really. When I figured this one out, I couldn’t believe I hadn’t heard about it anywhere. At the time, I had read my way through a lot of material on music theory and improvising, but nowhere had I come across this simple idea. I promise you this: If you will, no...
The second principle that Yngwies brain seems to work by is the concept of “The path of least resistance” Choosing the easiest way around anything sounds like a no-brainer but in this case it isn't. This principle can make or break your success in shredding and when I started applying it to everything I did, I made so much progress in so little time, I couldn't believe it.
If you want to play like the best, you should know how the best became the best. If you know that, you can do the same thing they did, and achieve the same results. In the next series of articles I’m going to give you every little nugget that I’ve picked up in my study of Yngwie Malmsteen. I've found that there are two sides to cover when it comes to this guy. 1. How to play like Yngwie and 2. How to think like him. It's...
Yesterday I gave you some ideas on how you can integrate sweep picking with economy picking. Today let's look at the Major and Diminished shapes. But before we begin let's repeat the "integration recipe" that I talked about yesterday, here it is again:
1. Come up with a simple lick that uses sweep picking and another picking technique
2. Repeat that lick until it's easy
3. Come up with another lick and repeat the process
In this article, I'm going to give you the basic sweep picking patterns that I use when I improvise. They are very simple and can be used in any type of music. I'm talking about the Major, Minor and diminished triads. While there are many variations on these basic arpeggios, these are the fundamental three types you really need to master. You can add chord extensions like the 9th the 11th or other add-... Continue reading ...
The skill of sweep picking offers you very few challenges. I'm not saying that it's easy. I'm saying there aren't that many things to think about when you sweep pick. If you've got the angle of the pick right - and you're using your arm and not your hand to do the sweeping, you're doing great. But there is one little challenge that I would like to address in this article though.
The more distance there is between the notes you play, the harder it becomes to play them using conventional picking techniques. Picking the notes of an arpeggio, using alternate picking, and doing it fast, can be quite a challenge. This didn't keep me from trying back when I was learning the secrets of shredding. I was an alternate picking fanatic and if you used any other technique to produce the notes - y...
Scroll down to see tablature How we learn to stop learning
Have you ever made a decision and then failed to follow up on it? Have you ever decided to do something only to realize that you didn't have the self discipline or the will power to go through with it? Of course you have. Everyone knows the feelings we get when we let ourselves down. When we do this enough times we stop trusting ourselves and every attempt to try something new is quickly followed by scep...
There's an element in the human psyche that destroys more dreams than any other single factor. If you're not consciously aware of it, chances are you will become a victim of it. In order to understand the mechanisms behind it, you need to know the following:
For two hundred thousand years, human beings have been 100 % dependant on each other. We don't have a thick fur to protect us from the weather. We can't... Continue reading ...
Imagine your favorite guitar player on stage. See and hear how cool it sounds when he or she is playing. Feel the emotions you would feel if you where there right now. How would your face look? How much fun would you have? Then imagine taking his place. Switch parts with your favorite shredder and imagine that you are on stage, playing with the skills of a guitar super hero. Imagine everyones amazement. See t...
When I started this series of articles I promised you that if you stayed in the key of A-Minor/C-Major long enough, I would teach you to name any note on the fretboard in as little as a day. Well here's the simplest and easiest way to do this. But it will only work as well as your ability to visualize the A-Minor/C-Major scale. If you don't feel very confident at this yet, be sure to stay in that key ...
I'm an impatient guy. I like to be able to use what I learn very fast. This article as about the strategy that I have used to go from playing the standard blues scale pattern, to using all of the fretboard and all of the available scales and arpeggios. It's simple, easy and fun to work with. But first I would like to expand a bit on my last article. Yesterday I showed you how I navigate around the fretboa... Continue reading ...
In this article I'm going to give you a quick, easy tool you can use to instantly know what scale to play over any rock, pop or metal chord progression. I'm not going to go into the deeper realms of music theory, I'm just going to give you a simple and very effective tool.
So let's say you have to figure out which one of the three scale tools you can use to play a solo. Here are the two things y...
The last tool you need to be able to improvise over any rock, pop or metal chord progression, is the Harmonic minor scale. This scale is our old friend the Minor / Major scale with a slight change and a new name. You take your natural A-Minor scale but change the 7th step and push it up one fret. Here's our well known A-Minor / C-Major pattern:
Now let's push the 7th step up one fret (The G not...
Let's get one thing straight: The "Natural Minor scale" is just your old Minor / Major scale, used over a Minor chord progression. In the last article I covered blues rock and how to mix the "Dorian" scale (Which is still the old Minor / Major scale with a new name!) with the blues scale. To play over chord progressions in a regular Minor key we'll do almost the same thing. We won't ... Continue reading ...
This article will show you ways to master all the things I've talked about. And the first and most essential thing is the concept of planning. This doesn't have to take more than a couple of minutes but it's essential to your success. Planning is deciding what you will do and for how long you will do it. Here's what happens when we don't plan:
The fretboard can be compared to a city with it's roads and locations: If you try to find your way around the whole city at once, you have to refer to the map at every crossing and corner. But if you live in one part of the city for a couple of months, you get to know that neighborhood so well, that you can find your way in the dark. And if you then move to another part of the city, the sam...
I'd like to add a little note to yesterdays article. Most people that I have introduced these two methods to, has been very sceptical to whether they would really work or not. If you feel the same way, here's my recommendation:
Pick a one or two string lick that you would like to master. Then practice playing it to the point where you can do it without referring to the tablature. Then use the methods I described in th...
How to improve your chops when you are away from your instrument
In this article I'm going to give you two methods that you can use to practice when you don't have a guitar. With these two strategies, you can practice everywhere. Depending on what you do for a living, you might add as much as 6 to 8 hours of valuable practice time to your daily shedule. When you use them enough, they become automatic and you'll start to...
How to program your mind to achieve extraordinary results
Greetings fellow shredder. This article will give you a vital strategy that you can use to improve your results dramatically. It's a little long but reading it is well worth your effort. By now you should have laid down a plan for the ten days. You have scheduled every possible 30 minute session during this period and should be clear about the rules of the game. Now it's t...
Now that you've laid down a plan for the next ten days, let's talk about the rules of the game. The first thing to be very conscious of, is what kind of practice routine you are preparing for. It's important to distinguish between these two kinds of practice:
1. Technique 2. Integration
Practicing technique
Improving your technical skills requires repeating a certain pattern of movement until it's embedded in the brain. When you engage...
Let's begin the planning part of your ten day challenge. The first thing you must do is to find three licks that you would really, really like to master. Don't aim too low when you select them: They have to be so far away from your current skill level that they really inspire you. Ideally, the thought of "acquiring" them should make you feel like a little kid before Christmas eve.
I'm very excited about this particular subject. This ten day strategy has meant more to the development of my skills than any other single thing. You will not believe what will happen to your skills when you use this strategy on a regular basis. This is the way to crush your challenges in the fastest way possible.
Here's the basic mistake that we all tend to make:
When ever we are confronted with a challenge of any kind, we estimat...
Today I'm going to introduce you to a simple but radical picking technique: It's the "Pick-the-notes-in-the-easiest-way-possible-technique" It's the most versatile and effective way to pick, that I know of. Alternate picking has a vital advantage. It doesn't care much about how many notes you play on each string. It's based on such a simple mathematical up and down process that you can use it ...
If economy picking is the only picking style you master, you have to be very careful with how you structure your licks. You have to have an uneven number of notes on each string in order to be able to make the string shifts happen. Also there are a few things that are practically impossible to play with economy picking only, because of this mathematical limitation. But there's a quick and easy way around thi... Continue reading ...
As with alternate picking, the hardest lick to play is a full three-notes-per-string scale pattern over all six strings. That's why it's so essential to start with very few string shifts and build from there. If you do that, you virtually guarantee that you'll progress faster than most people around you, and you'll create those little successes - that will motivate you to go for more. In the last article we we... Continue reading ...
Practicing economy picking is a radically different process than practicing alternate picking. And the reason is this: Because economy picking involves a sweeping motion, you have to use two different practice routines to get the best results fast:
1. Playing the metronome game 2. Chunking several movements into one 3. Integrate immediately
If you want to play like the wind and the water, economy picking is for you. Alternate picking feels and sounds like a machine gun, where as economy picking flows like a river. Once you have it down, economy picking feels easy in comparison to alternate picking. It feels completely effortless and that frees up a lot of energy to focus on other things. As a consequence, I always use economy picking unless I...
Before I end this series on alternate picking I want to give you some of the "exercises" that I have used to build my picking speed. Please pick the ones that you are most comfortable with. The first two are super simple but also very fundamental. I use these licks all the time and you will too once you have them down. You can take these two licks and use them to go all the way up and down the neck. Try going all the way up an ... Continue reading ...
Years agohttp://sitebuilder.yola.com/ide/index.jsp?siteid=8a49866a2000460f0120146473da37f1, I thought that any skilled guitar player should be able to play fast on any guitar. Even though I loved playing on a guitar that had all the qualities that I'm going to discuss in this article, I still did nothing to make my own instrument more playable. "Playing on an impossible instrument will ...
Every technique has its challenges. When it comes to alternate picking, shifting strings is definitely one of them. What most people aren’t aware of is that this is a two headed monster. There are two different string shifts that you can make:
1. Outside shifting
2. Inside shifting
Outside shifting is when you go from picking down on, let’s say the B-string, and then picking up on the high ...
The strategy described in this article could increase your speed instantly! (Seriously)
I assume that you are using the methods described in the category “Get more out of praticing”. If you are not, you are going to experience a lot more challenges than I describe in these articles. But even though you do everything right, at some point, you are going to hit the wall. You are going to reach a level of speed that you cannot ... Continue reading ...
